A Year In Provence Page 5

  "Who are you?" a voice said.

  An old man had emerged from the kitchen and was peering at us, screwing up his eyes against the light coming through the door. We told him we'd made a reservation for lunch.

  "Sit down, then. You can't eat standing up." He waved airily at the empty tables. We sat down obediently, and waited while he came slowly over with two menus. He sat down with us.

  "American? German?"

  English.

  "Good," he said, "I was with the English in the war."

  We felt that we had passed the first test. One more correct answer and we might be allowed to see the menus which the old man was keeping to himself. I asked him what he would recommend.

  "Everything," he said. "My wife cooks everything well."

  He dealt the menus out and left us to greet another couple, and we dithered enjoyably between lamb stuffed with herbs, daube, veal with truffles, and an unexplained dish called the fantaisie du chef. The old man came back and sat down, listened to the order, and nodded.

  "It's always the same," he said. "It's the men who like the fantaisie."

  I asked for a half bottle of white wine to go with the first course, and some red to follow.

  "No," he said, "you're wrong." He told us what to drink, and it was a red Côtes du Rhone from Visan. Good wine and good women came from Visan, he said. He got up and fetched a bottle from a vast dark cupboard.

  "There. You'll like that." (Later, we noticed that everybody had the same wine on their table.)

  He went off to the kitchen, the oldest head waiter in the world, to pass our order to perhaps the oldest practicing chef in France. We thought we heard a third voice from the kitchen, but there were no other waiters, and we wondered how two people with a combined age of over 160 managed to cope with the long hours and hard work. And yet, as the restaurant became busier, there were no delays, no neglected tables. In his unhurried and stately way, the old man made his rounds, sitting down from time to time for a chat with his clients. When an order was ready, Madame would clang a bell in the kitchen and her husband would raise his eyebrows in pretended irritation. If he continued talking, the bell would clang again, more insistently, and off he would go, muttering "j'arrive, j'arrive."

  The food was everything the Gault-Millau guide had promised, and the old man had been right about the wine. We did like it. And, by the time he served the tiny rounds of goat's cheese marinated in herbs and olive oil, we had finished it. I asked for another half bottle, and he looked at me disapprovingly.

  "Who's driving?"

  "My wife."

  He went again to the dark cupboard. "There are no half-bottles," he said, "you can drink as far as here." He drew an imaginary line with his finger halfway down the new bottle.

  The kitchen bell had stopped clanging and Madame came out, smiling and rosy faced from the heat of the ovens, to ask us if we had eaten well. She looked like a woman of sixty. The two of them stood together, his hand on her shoulder, while she talked about the antique furniture, which had been her dowry, and he interrupted. They were happy with each other and they loved their work, and we left the restaurant feeling that old age might not be so bad after all.

  RAMON THE PLASTERER was lying on his back on a precarious platform, an arm's length below the kitchen ceiling. I passed a beer up to him, and he leaned sideways on one elbow to drink it. It looked like an uncomfortable position, either for drinking or working, but he said he was used to it.

  "Anyway," he said, "you can't stand on the floor and throw stuff up. That one who did the ceiling of the Sistine Chapel-you know, that Italian-he must have been on his back for weeks."

  Ramon finished the beer, his fifth of the day, handed down the empty bottle, belched lightly, and returned to his labors. He had a slow, rhythmical style, flicking the plaster on to the ceiling with his trowel and working it into a chunky smoothness with a roll of his wrist. He said that, when it was finished, it would look as though it had been there for a hundred years. He didn't believe in rollers or sprayers or instruments of any sort apart from his trowel and his eye for a line and a curve, which he said was infallible. One evening after he had gone I checked his surfaces with a level. They were all true, and yet they were unmistakably the work of a hand rather than a machine. The man was an artist, and well worth his beer ration.

  A breeze was coming through the hole in the kitchen wall, and it felt almost mild. I could hear something dripping. When I went outside I found that the seasons had changed. The stone table was oozing water, and spring had arrived.

  March

  THE ALMOND TREE was in tentative blossom. The days were longer, often ending with magnificent evenings of corrugated pink skies. The hunting season was over, with hounds and guns put away for six months. The vineyards were busy again as the well-organized farmers treated their vines and their more lackadaisical neighbors hurried to do the pruning they should have done in November. The people of Provence greeted spring with uncharacteristic briskness, as if nature had given everyone an injection of sap.

  The markets changed abruptly. On the stalls, fishing tackle and ammunition belts and waterproof boots and long brushes with steel bristles for amateur chimney sweeps were replaced by displays of ferocious-looking agricultural implements-machetes and grubbing tools, scythes and hoes with sharp curved prongs, spraying equipment that was guaranteed to bring the rain of death down on any weed or insect foolhardy enough to threaten the grapes. Flowers and plants and tiny new season vegetables were everywhere, and café tables and chairs sprouted on the pavements. There was a feeling of activity and purpose in the air, and one or two optimists were already buying espadrilles from the multicolored racks outside the shoe shops.

  In contrast to this bustle, work on the house had come to a standstill. Following some primeval springtime urge, the builders had migrated, leaving us with some token sacks of plaster and piles of sand as proof of their intention to come back-one day-and finish what they had so nearly finished. The phenomenon of the vanishing builder is well known throughout the world, but in Provence the problem has its own local refinements and frustrations, and its own clearly defined seasons.

  Three times a year, at Easter, August, and Christmas, the owners of holiday homes escape from Paris and Zürich and Düsseldorf and London to come down for a few days or weeks of the simple country life. Invariably, before they come, they think of something that is crucial to the success of their holiday: a set of Courrèges bidets, a searchlight in the swimming pool, a retiled terrace, a new roof for the servants' quarters. How can they possibly enjoy their rustic interlude without these essentials? In panic, they telephone the local builders and craftsmen. Get it done-it must be done-before we arrive. Implicit in these urgent instructions is the understanding that generous payments will be forthcoming if the work is done at once. Speed is of the essence; money isn't.

  It is too tempting to ignore. Everyone remembers when Mitterrand first came to power; the rich went into financial paralysis, and sat on their cash. Building work was scarce in Provence then, and who knows when bad times might come again? So the jobs are accepted, and less clamorous clients suddenly find themselves with dormant concrete mixers and forlorn, uncompleted rooms.

  Faced with this situation, there are two ways to respond. Neither of them will produce immediate results, but one way will reduce the frustration, and the other will add to it.

  We tried both. To begin with, we made a conscious effort to become more philosophical in our attitude to time, to treat days and weeks of delays in the Provençal fashion-that is, to enjoy the sunshine and to stop thinking like city people. This month, next month, what's the difference? Have a pastis and relax. It worked well enough for a week or two, and then we noticed that the building materials at the back of the house were turning green with the first growth of spring weeds. We decided to change our tactics and get some firm dates out of our small and elusive team of workmen. It was an educational experience.

  We learned that time in Pro
vence is a very elastic commodity, even when it is described in clear and specific terms. Un petit quart d'heure means sometime today. Demain means sometime this week. And, the most elastic time segment of all, une quinzaine can mean three weeks, two months, or next year, but never, ever does it mean fifteen days. We learned also to interpret the hand language that accompanies any discussion of deadlines. When a Provençal looks you in the eye and tells you that he will be hammering on your door ready to start work next Tuesday for certain, the behavior of his hands is all-important. If they are still, or patting you reassuringly on the arm, you can expect him on Tuesday. If one hand is held out at waist height, palm downwards, and begins to rock from side to side, adjust the timetable to Wednesday or Thursday. If the rocking develops into an agitated waggle, he's really talking about next week or God knows when, depending on circumstances beyond his control. These unspoken disclaimers, which seem to be instinctive and therefore more revealing than speech, are occasionally reinforced by the magic word normalement, a supremely versatile escape clause worthy of an insurance policy. Normalement-providing it doesn't rain, providing the truck hasn't broken down, providing the brother-in-law hasn't borrowed the tool box-is the Provençal builder's equivalent of the fine print in a contract, and we came to regard it with infinite suspicion.

  But, despite their genial contempt for punctuality and their absolute refusal to use the telephone to say when they were coming or when they weren't, we could never stay irritated with them for long. They were always disarmingly cheerful, they worked long and hard when they were with us, and their work was excellent. In the end, they were worth waiting for. And so, little by little, we reverted to being philosophical, and came to terms with the Provençal clock. From now on, we told ourselves, we would assume that nothing would be done when we expected it to be done; the fact that it happened at all would be enough.

  FAUSTIN was behaving curiously. For two or three days he had been clanking up and down on his tractor, towing a contraption of metal intestines which spewed fertilizer to either side as he passed between the rows of vines. He kept stopping to get off the tractor and walk over to a field, now empty and overgrown, which had been planted with melons. He studied the field from one end, remounted his tractor, sprayed some more vines, and returned to study the other end. He paced, he pondered, he scratched his head. When he went home for lunch, I walked down to see what it was he found so fascinating, but to me it looked like any other fallow melon field-a few weeds, some tatters of plastic left over from the strips that had protected last year's crop, half an acre of nothing. I wondered if Faustin suspected it of harboring buried treasure, because we had already dug up two gold Napoleon coins nearer the house, and he had told us that there were probably more to be found. But peasants don't hide their gold in the middle of cultivated land when it can be squirreled away more securely under the flagstones or down a well. It was odd.

  He came visiting that evening with Henriette, looking unusually spruce and businesslike in his white shoes and orange shirt, and bearing jars of homemade rabbit pâté. Halfway through his first pastis, he leaned forward confidentially. Did we know that the wine produced from our vineyards-Côtes du Lubéron-was about to be given Appellation Contrôlée status? He leaned back, nodding slowly, and said "Eh oui" several times while we absorbed the news. Clearly, said Faustin, the wine would become more expensive and vineyard owners would make more money. And, clearly, the more vines one has the more money one makes.

  There was no arguing with that, so Faustin moved on to a second drink-he drank in an efficient, unobtrusive way, and always reached the bottom of his glass before I expected-and put forward his proposition. It seemed to him that our melon field could be more profitably employed. He inhaled some pastis while Henriette produced a document from her bag. It was a droit d'implantation, giving us the right to plant vines, a privilege accorded to us by the government itself. While we looked at the paper, Faustin demolished the nonsensical idea of continuing to grow melons, dismissing them with a wave of his glass as being too demanding in terms of time and water, and always vulnerable to attack by the wild boar who come down from the mountains in the summer. Only last year, Faustin's brother Jacky had lost a third of his melon crop. Eaten by the boars! The profit disappearing into a pig's belly! Faustin shook his head at the painful memory, and had to be revived by a third large pastis.

  By chance, he said, he had made some calculations. Our field would accommodate 1,300 new vines in place of the tiresome melons. My wife and I looked at each other. We were equally fond of wine and Faustin, and he obviously had his heart set on progress and expansion. We agreed that the extra vines sounded like a good idea, but thought no more about it after he had left. Faustin is a ruminant among men, not given to hasty action, and in any case, nothing happens quickly in Provence. Perhaps next spring he would get around to it.

  At seven o'clock the following morning, a tractor was plowing up the melon field, and two days later the planting team arrived-five men, two women, and four dogs, under the direction of the chef des vignes Monsieur Beauchier, a man with forty years' experience of planting vines in the Lubéron. He personally pushed the small plow behind the tractor, making sure that lines were straight and correctly spaced, trudging up and down in his canvas boots, his leathery face rapt in concentration. The lines were staked at each end by bamboo rods and marked by lengths of twine. The field was now stripped and ready to be turned into a vineyard.

  The new vines, about the size of my thumb and tipped with red wax, were unloaded from the vans while Monsieur Beauchier inspected his planting equipment. I had assumed that the planting would be done mechanically, but all I could see were a few hollow steel rods and a large triangle made of wood. The planting team gathered around and were assigned their duties, then jostled untidily into formation.

  Beauchier led the way with the wooden triangle, which he used like a three-sided wheel, the points making equidistant marks in the earth. Two men followed him with steel rods, plunging them into the marks to make holes for the vines, which were planted and firmed in by the rear guard. The two women, Faustin's wife and daughter, dispensed vines, advice, and fashion comments on the assortment of hats worn by the men, particularly Faustin's new and slightly rakish yachting cap. The dogs enjoyed themselves by getting in everyone's way, dodging kicks and tangling themselves in the twine.

  As the day wore on, the planters became more widely spaced, with Beauchier often two hundred yards in front of the stragglers at the back, but distance was no barrier to conversation. It appears to be part of the ritual that lengthy discussions are always conducted between the two people farthest away from each other, while the intervening members of the team curse the dogs and argue about the straightness of the lines. And so the raucous procession moved up and down the field until mid-afternoon, when Henriette produced two large baskets and work stopped for the Provençal version of a coffee break.

  The team sat on a grassy bank above the vines, looking like a scene from Cartier-Bresson's scrapbook, and attacked the contents of the baskets. There were four liters of wine and an enormous pile of the sugared slices of fried bread called tranches dorées, dark gold in color and crisp and delicious to taste. Grandfather André arrived to inspect what had been done, and we saw him poking the earth critically with his stick and then nodding his head. He came over for a glass of wine and sat in the sun, a benign old lizard, scratching a dog's stomach with the end of his muddy stick and asking Henriette what was for dinner. He wanted to eat early so that he could watch Santa Barbara , his favorite television soap opera.

  The wine had all gone. The men stretched and brushed the crumbs from their mouths and went back to work. By late evening it was finished, and the ragged old melon field was now impeccable, the tiny dots of new vines just visible against the setting sun. The team gathered in our courtyard to unkink their backs and make inroads on the pastis, and I took Faustin to one side to ask him about payment. We'd had the tractor for three days, and dozen
s of hours of labor. What did we owe them? Faustin was so anxious to explain that he put down his glass. We would pay for the vines, he said, but the rest was taken care of by the system which operated in the valley, with everyone contributing their time free when major replanting had to be done. It all evened out in the end, he said, and it avoided paperwork and tedious dealings with les fiscs about taxes. He smiled and tapped the side of his nose with a finger and then, as though it was a small matter hardly worth mentioning, he asked if we would like 250 asparagus plants put in while we still had the use of the tractor and the men. It was done the next day. So much for our theory that nothing happens fast in Provence.

  THE LUBÉRON sounded different in spring. Birds who had been ducking all winter came out of hiding now that the hunters were gone, and their song replaced gunfire. The only jarring noise I could hear as I walked along the path toward the Massot residence was a furious hammering, and I wondered if he had decided to put up a For Sale notice in preparation for the beginning of the tourist season.

  I found him on the track beyond his house, contemplating a five-foot stake that he had planted at the edge of a clearing. A rusty piece of tin had been nailed to the top of the stake, with a single angry word daubed in white paint: PRIVÉ! Three more stakes and notices were lying on the track, together with a pile of boulders. Massot was obviously intending to barricade the clearing. He grunted good morning and picked up another stake, hammering it into the ground as if it had just insulted his mother.